Tips on writing from John Swartzwelder.
John Swartzwelder is the legendary writer for the animated TV series The Simpsons. He wrote 59 scripts for the show, more than any
other writer in the series history, and is credited as playing a key role in shaping
the show into the cultural phenomenon it is today.
The John Swartzwelder method for writing
Since writing is very hard and rewriting is comparatively easy and rather fun, I always write my scripts all the way through as fast as I can, the first day, if possible, putting in crap jokes and pattern dialogue—“Homer, I don’t want you to do that.” “Then I won’t do it.”
Then the next day, when I get up, the script’s been written. It’s lousy, but it’s a script. The hard part is done. It’s like a crappy little elf has snuck into my office and badly done all my work for me, and then left with a tip of his crappy hat.
All I have to do from that point on is fix it. So I’ve taken a very hard job, writing, and turned it into an easy one, rewriting, overnight.
I advise all writers to do their scripts and other writing this way. And be sure to send me a small royalty every time you do it.
Since leaving The Simpsons in 2003, Swartzwelder has been
writing and self-publishing novels, most featuring Frank Burly, an incompetent
private eye and occasional time traveler.
Nobody wants to read a book. You’ve got to catch their eye with something exciting in the first paragraph, while they’re in the process of throwing the book away. If it’s exciting enough, they’ll stop and read it.
In his book Dead Men Scare Me Stupid, Swartzwelder follows his own advice opening with
“Well, they found Amelia Earhart. That’s the good news. Unfortunately, they found her in the trunk of my car.”
Of course, the opening line is just that. An opening line.
Then you’ve got to put something even more exciting in the second paragraph, to suck them in further. And so on. It’s exhausting for everybody, but it’s got to be done.
The Copywriting Connection
Swartzwelder started his writing career as a copywriter for
boutique advertising agencies, such as Hurvis, Binzer & Churchill and Van
Brunt & Co., both Chicago.
All ad copywriters are expected to write humor or scientific-sounding mumbo jumbo or any other kind of writing, whatever’s needed for the campaign. And they’re expected to write it fast, too, because it’s due tomorrow. Good training, actually.
A Swartzweldian example: Outside a pawn shop, Homer stands on a stack of barrels and offers a toast to the crowd: “To alcohol. The cause of, and solution to, all of life’s problems.”
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