Three days ago (12/9/2025), Secretary of State Marco Rubio banned the
use of Calibri across all State Department communications, declaring the font
“woke”
Before we get to the theatrics, let’s start with the boring,
human part: the U.S. government originally shifted from Times New Roman to
Calibri in 2023 because it was easier to read. Full stop. Better for
people with dyslexia. Better for low-vision readers. Better for screen readers.
It was about access, not aesthetics.
But in the age of symbolic governance, even readability
can’t escape the culture-war centrifuge. And so here we are, watching a
Secretary of State dust off Times New Roman like it’s some ancient relic of
civic virtue and not a perfectly fine typeface retired for perfectly practical
reasons.
This is the new political circus: turn a typography choice
into a tribal marker, frame accessibility as ideology, and cast Calibri as the
villain skulking in the margins of American decline. A font, suddenly
“informal,” “wasteful,” or somehow spiritually suspect … depending on which
side of the outrage machine you’re standing near when it starts to smoke.
This is governance as stagecraft. The performance of
decisiveness instead of the practice of it. Swap nuance for noise, and voilà: instant
headline. A victory you can claim without solving a single real problem.
But the people who actually need accessible
typography? They’re not on the playbill. They don’t get a spotlight. They’re
collateral to the bit.
Because this was never about fonts. It’s about the
irresistible lure of symbolic skirmishes ,,, easy battles fought for the
cameras while the hard ones wait, gathering dust like an unused policy binder.
A country can survive a bad typeface. What’s harder is
surviving leadership that confuses the theater for the mission, that mistakes
the show for the work, that fights the font instead of fixing the world the
font was meant to help people understand.
And that’s the part we should all read in bold.
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