Writers Trash Talking Other Writers

How would you like your writing to be reviewed by best-selling, award-wining writers?

Not so much based on these opinions famous authors such as Hemingway, Faulkner, and Twain offered on the works of other famous authors like Orwell, Rowling, and Kerouac.

Buckle your seatbelt ... it's about to get nasty.

Friedrich Nietzsche on Plato: “Plato was a bore.”

Leo Tolstoy on Friedrich Nietzsche: “Nietzsche was stupid and abnormal.”

Virginia Woolf on James Joyce: "[Ulysses is] the work of a queasy undergraduate scratching his pimples."

 

Mark Twain on Jane Austen: "I often want to criticize Jane Austen, but her books madden me so that I can't conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice, I want to dig her up and hit her over the skull with her own shin-bone." 

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William Faulkner on Ernest Hemingway: 

"No courage. Never been known to use a word that might send the reader to a dictionary."

 

Ernest Hemingway on William Faulkner: 

"Poor Faulkner. Does he really think big emotions come from big words?"

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Robert Louis Stevenson on Walt Whitman: "Like a large shaggy dog, just unchained, scouring the beaches of the world and baying at the moon."

 

Oscar Wilde on Alexander Pope: "There are two ways of disliking poetry; one way is to dislike it, the other is to read Pope."

 

Cyril Connolly on George Orwell: "He could not blow his nose without moralising on the state of the handkerchief industry."

 

Katherine Mansfield on E.M. Forrester: "[Howard's End] is not good enough. E.M. Forster never gets any further than warming the teapot. He's a rare fine hand at that. Feel this teapot. Is it not beautifully warm? Yes, but there ain't going to be no tea." 

Harold Robbins on Ernest Hemingway:
“Hemingway was a jerk.”

 

Edmund Wilson on Evelyn Waugh: "His style has the desperate jauntiness of an orchestra fiddling away for dear life on a sinking ship." 

Truman Capote on Jack Kerouac: "None of these people [in the Beat Generation] have anything interesting to say, and none of them can write, not even Mr. Kerouac. It's not writing, it's typing."

 

Tom Stoppard on Bertolt Brecht: "Personally I would rather have written Winnie-the-Pooh than the collected works of Brecht." 

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D.H. Lawrence on Herman Melville: 

"Nobody can be more clownish, more clumsy and sententiously in bad taste, 

than Herman Melville, even in a great book like 'Moby-Dick…"

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Evelyn Waugh on Marcel Proust: "I am reading Proust for the first time. Very poor stuff. I think he was mentally defective."

 

Henry James on Edgar Allan Poe: "[To take Poe] with more than a certain degree of seriousness is to lack seriousness one's self. An enthusiasm for Poe is the mark of a decidedly primitive stage of reflection."

 

Ernest Hemingway on T.S. Eliot: "If I knew that by grinding Mr. Eliot into a fine dry powder and sprinkling that powder over [Joseph] Conrad's grave Mr. Conrad would shortly appear.... I would leave for London tomorrow morning with a sausage grinder."

 

Howard Bloom on J.K. Rowling: "How to read Harry Potter and the Sorcerer's Stone? Why, very quickly, to begin with, perhaps also to make an end. Why read it? Presumably, if you cannot be persuaded to read anything better, Rowling will have to do."

 

Norman Mailer on Jack Kerouac:
"His rhythms are erratic, his sense of character is nil,
and he is as pretentious as a rich whore,

sentimental as a lollypop."

 

Dame Edith Sitwell on Virginia Woolf: "Virginia Woolf's writing is no more than glamorous knitting. I believe she must have a pattern somewhere."

Vladimir Nabokov on Ernest Hemingway: "I read him for the first time in the early Forties, something about bells, balls and bulls, and loathed it."

 

Gore Vidal on Truman Capote: He's a full-fledged housewife from Kansas with all the prejudices.

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Flannery O’Connor on Ayn Rand: 

"The fiction of Ayn Rand is as low as you can get… 
I hope you picked it up off the floor of the subway 
and threw it in the nearest garbage pail.
She makes Mickey Spillane look like Dostoevsky."

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Martin Amis on Miguel de Cervantes: "Reading Don Quixote can be compared to an indefinite visit from your most impossible senior relative, with all his pranks, dirty habits, unstoppable reminiscences, and terrible cronies." 

 

Gustave Flaubert on Honoré de Balzac: "What a man Balzac would have been if he had known how to write." 

 

Vladimir Nabokov on Joseph Conrad: "I cannot abide Conrad's souvenir shop style and bottled ships and shell necklaces of romanticist clichés."

 

Ruth Rendell on Agatha Christie: "To say that Agatha Christie's characters are cardboard cut-outs is an insult to cardboard cut-outs." 

 

William Faulkner on Mark Twain:
[A] hack writer who would not have been considered fourth rate in Europe,
who tricked out a few of the old proven 'sure fire' literary skeletons
with sufficient local color to intrigue the superficial and the lazy.

Tom Wolfe on Ernest Hemingway: "People always think that the reason he's easy to read is that he is concise. He isn't. I hate conciseness — it's too difficult. The reason Hemingway is easy to read is that he repeats himself all the time, using 'and' for padding."

Mary McCarthy on Lillian Hellman: "Every word she writes is a lie, including ‘and’ and ‘the.'" 

 

Gertrude Stein on Ezra Pound: "A village explainer. Excellent if you were a village, but if you were not, not."

H.G. Wells on George Bernard Shaw: “An idiot child screaming in a hospital.”

Well, that was brutal ... somebody grab a rag and start mopping up the blood.